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27-min listen
Alternative Models of Art Education
LungA School (Iceland)
00:00/08:30
00:00/08:30
1
LungA School (Iceland)
2
Kibbo Kift (UK)
3
Free Art School (Finland)

Alternative Models of Art Education

A series of short introductions

Mark Rohtmaa-Jackson, Annebella Pollen and Elina Merenmies explore radical approaches to art education with reference to both historical and contemporary alternative models.

This series of short audio introductions presents specific historical and contemporary approaches to art education, explored by artist-educators who have helped shape their respective models or researchers who have studied them.

  1. Mark Rohtmaa-Jackson discusses the LungA School (Seyðisfjörður, Iceland).
  2. Annebella Pollen discusses the history of the Kibbo Kift (UK).
  3. Elina Merenmies discusses the Free Art School (Helsinki, Finland).

Each explore how alternative art education interacts with mainstream systems, behaviours and pedagogies, raising fundamental questions about what makes a school – i.e. a building, a curriculum, a community, a set of values – while reflecting on the role of students as co-authors of their learning environment. They consider the tension between autonomy and structure, the balance between freedom and being disciplined, and how resourcefulness, collective care, and site-specific tools can redefine what a school can be. 

We're creating an environment in which we are working with ideas of what knowledge might be or what ideas might be as a performance of schooling.

Mark Rohtmaa-Jackson
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LungA School (Seyðisfjörður, Iceland)
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LungA School (Seyðisfjörður, Iceland)
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LungA School (Seyðisfjörður, Iceland)
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LungA School (Seyðisfjörður, Iceland)

They were led by an artist, John Hargrave, and with many other artists among their number, which amounted to around a thousand strong membership. They were aiming for nothing less than creating an alternative society, a crucible for crafting change.

Annebella Pollen on the Kibbo Kift
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Kibbo Kift (UK)
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Kibbo Kift (UK)
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Kibbo Kift (UK)
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Kibbo Kift (UK)
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Kibbo Kift (UK)
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Kibbo Kift (UK)
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Kibbo Kift (UK)
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Kibbo Kift (UK)
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Kibbo Kift (UK)
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Kibbo Kift (UK)
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Kibbo Kift (UK)

I think that in Finland, most of the teachers and most of the students who have been in any way around free art school could say that they have evolved maybe there in ways that are difficult to evaluate, but at least when it comes to colour, when it comes to understanding form and colour and something to do with rhythm, these kind of things, has so much to do with all those things that we teach. 

Elina Merenmies on the Free Art School
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Free Art School (Helsinki, Finland). Gunna Möller in the school premises, 1940s.
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Free Art School (Helsinki, Finland). Artist Tapio Tapiovaara in 1947. In the background, Tapiovaara’s wall portrait of Maire Gullichsen.
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Free Art School (Helsinki, Finland). A lesson at the Free Art School, 1930s, the founder of the school Maire Gullichsen on the left.
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Free Art School (Helsinki, Finland). Students on a break in the Kasarminkatu premises in Helsinki, late 1940s.
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Free Art School (Helsinki, Finland). A portrait course taught by Pauliina Turakka-Purhonen in 2024.
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Free Art School (Helsinki, Finland). Free Art School students Helena Kangas, Arttu Hartikainen and Jaakko Vallivaara at the spring exhibition in the Puristamo space at the Cable Factory, 2021. All students participate in building and painting the walls and all other preparations.

About the contributors

Dr. Mark Rohtmaa-Jackson is an American-British artist and curator, and the Director of the alternative, experimental art situation ‘LungA School’ in Iceland. They have held teaching and curating positions at numerous galleries and schools. As an artist Mark has worked primarily with collaborative, intermedia practices, including as part of Plastique Fantastique from 2011 to 2020. They live and work in Seyðisfjörður, have a PhD and have published a book on curating. 

 

Prof. Annebella Pollen is a Professor of Visual and Material Culture at the University of Brighton where she researches undervalued archives and untold stories in art and design history. She is also the author of several books including Mass Photography: Collective Histories of Everyday Life (2015); The Kindred of the Kibbo Kift: Intellectual Barbarians (2015), and Art without Frontiers: The Story of the British Council, Visual Arts and a Changing World (2024).

 

Elina Merenmies is a fine artist based in Finland who works with ink, tempera, and oil paints – engaging with and reshaping a long artistic tradition. Her interdisciplinary approach has led her to collaborate with poets, photographers, and musicians; employing experimental working methods on several occasions. She has taught Painting at the Academy of Fine Arts in Helsinki (2000–2012), and later at the Free Art School from 2013, where she has been Headmaster since 2020.

About the context

This conversation was originally chaired by Dr Susannah Haslam and recorded during ROOM, a one-day gathering that took place on 7 June 2025, marking the tenth anniversary of Freelands Foundation and the first activation of its new home on 12 Errol Street, EC1Y. The day was dedicated to gathering and sharing artist-teaching practices, while serving as a blueprint for mapping the potential of our new space and exploring a vision for the next decade of the Foundation’s work.

Audio recording: Kenji Takahashi. 

Audio editing: Riham Moussa. 

Reading List

Author / Editor

Title

Annebella Pollen

The Kindred of the Kibbo Kift: Intellectual Barbarians

The Kindred of the Kibbo Kift: Intellectual Barbarians

The Other MA

How to Set Up an Art School

Silvie Jacobi

Art Schools and Place: Geographies of Emerging Artists and Art Scenes

Art Schools and Place: Geographies of Emerging Artists and Art Scenes

A. S. Neill

Summerhill School: A New View of Childhood A.S. Neill

Summerhill School: A New View of Childhood A.S. Neill

Martin Duberman

Black Mountain: An Exploration in Community

Black Mountain: An Exploration in Community

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