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Studio Fellows: Matthew Wilson

A deep-dive into the experience of a Fellow at Falmouth University.

For artist Matthew Wilson, relocating from Belfast to Falmouth University in Cornwall for the 2025 Freelands Studio Fellowship has invited a new dialogue between landscape, material, and practice. Drawn to the Cornish environment, Matthew's growing artistic practice collects, breaks down, and reassembles materials from the landscape to explore processes of accumulation and transformation. Within Falmouth University’s studios and workshops, this approach has expanded into new forms of making and reflection, supported by the technical expertise and critical insight of the staff and mentors around him. The Fellowship offering both time and structure to experiment, to rebuild a studio practice from the ground up, and re-engage with the physical and conceptual dimensions of his work.

Sharing space with students has created an exchange that blurs the lines between teaching, conversation, and collaboration. Informal encounters and studio visits have shaped new ideas, while mentorship from curators and artists across Cornwall has connected Matthew to the region’s wider ecology. Immersed in a place with such a strong history of artists responding to landscape, the Fellowship has allowed the artist to reflect on his own position within that continuum – using the year to slow down, test ideas, and reimagine what it means to make art in relation to place.

One of the special things about the Fellowship is the duration of it; the ability to have a year to just really invest in your practice is such a rarity. 

And I think those first few months, kind of becoming acclimatized, building a studio from scratch, and just in a way, also having the ability to play in your practice in a way that I think you often don't really get the opportunity to. 

Matthew Wilson

About the artist

Matthew Wilson is an artist whose work centres around intimate material processes; developing a unique methodology responding to site specificity, using slow and sustainable approaches. An intertwining of personal and cultural narratives utilises storytelling to open dialogue between past, present and future. Often anchored within domestic or rural imagery, the works become anachronistic.

About the film

This film is part of a series of shorts spotlighting the artist's experience during their year-long 2025 Freelands Studio Fellowship. The films examine and archive the impact of being an artist in residence at an art school. Each explore the impact of having a studio practice in a context of learning, teaching and making alongside faculty, students and a new local arts ecosystem.

Filmed, edited and captioned by Alban Roinard.

With thanks to Falmouth University.

© Produced by Freelands Foundation. 

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