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7-min watch
SHIFT: Hannah Kemp-Welch
00:00/07:13
SHIFT: Hannah Kemp-Welch
00:00/07:13
00:00/07:13

SHIFT: Hannah Kemp-Welch

Sound artist Hannah Kemp-Welch presents aspects of her research into Sound Arts Practice, including exploring the role of listening as a social art practice and the tensions around participation, ownership and representation in socially engaged art.

For this SHIFT film, Kemp-Welch presents key aspects of her doctoral research at University of the Arts London at the Creative Research into Sound Arts Practice centre at London College of Communication. 

Her work in community settings often responds to social issues and she investigates tensions around participation, ownership and representation in socially engaged art. Her research explores how social art can “challenge uneven power relations, even when set within frameworks serving neoliberal agendas”, drawing on the role of listening as a practice that can help facilitate equitable collaboration.

She explores the potential of ‘distributed’ or ‘collective’ listening practices to create space for true co-production in social art practice as well as the idea of listening itself as an artistic practice.

Finally, she critiques the concept of ‘active listening’, looking at how this idea has been co-opted into a persuasive tool used in the corporate world and to model a particular mode of desired behaviour in mainstream schooling.

About the artist

Hannah Kemp-Welch is a sound artist with a social practice working in London. 

About the film

This film is part of SHIFT, Freelands Foundation’s quarterly series of short films spotlighting varied practices, approaches and philosophies within art education.

Captions and editing: Sixbetween.

All audiovisual material and research is courtesy of the artist.

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