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ARTISTEACHER Toolkit

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Guidance on facilitating experimentation and creative risk-taking within the classroom using 'Which Way is Up?', a set of imaginative prompts designed by Hannah Rennie and Shepherd Manyika with Cement Fields.

2-min read
ARTISTEACHER Toolkit
2-min read
About ARTISTEACHER
About Which Way is Up?

This ARTISTEACHER workshop facilitated by artist-teacher Hannah Rennie and artist Shepherd Manyika explored Which Way is Up?a set of ‘playing’ cards they designed with Cement Fields to nurture new ways of teaching and making art within the school environment.

Acting as imaginative prompts, the cards support experimentation and creative risk-taking in the classroom whilst also developing individual artistic practice – whether used by an artist, teacher, or student. Below is a reflective toolkit informed by the event that offers a series of prompts for using the cards and exploring how they might provide modes of engaging in diverse teaching contexts.

These activations were made using a set of Which Way is Up? cards. If you would like more information about the cards, or would like to request a set for your own practice, visit: cementfields.org/projects/which-way-is-up.

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Shepherd Manyika & Hannah Rennie, ‘Which Way Is Up?’, workshop, 2024. Photography by Sam Wainwright. Courtesy of Cement Fields.

1. Try out the cards

To introduce the idea of the cards, the entire group was presented with a card prompt that asked them to: ‘Draw a shape, add another and another and another’. They worked to respond to the prompt in their own individual ways using various art materials, sharing their responses at the end.

Provocation: Draw one card to work with individually or within a group, using whatever materials you have to hand. Record the result.

2. Group responses

The participants were asked to split into groups corresponding with the sectors in which they work. The groups were Primary, Secondary, Further and Higher Education, and Museums and Galleries. They were presented with a selection of two cards from the deck to respond to collectively, or the choice to select a new card from the deck.

Provocation: Split respondents into small groups and present them with a selection of cards to work with. How do each of the group’s responses compare?

3. Design a card

Having explored many of the cards, the participants were asked to design a new card based on their own ideas and experiences. These ideas were shared with the group at the end.

Provocation: Design your own card/s based on your experience. Can you incorporate your prompts into your own creative or teaching practice?

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About ARTISTEACHER

ARTISTEACHER is a regular discussion forum for art teachers and educators. Through the group and its activations in interactive workshops held by Freelands, artist-teachers explore the principles of teaching as artistic practice, share projects and work collaboratively to develop new ideas. The sessions are facilitated by fellow art education practitioners and art educators. Following each event, we provide a toolkit on how to engage art educators in your spaces and projects in a meaningful way via experimental prompts and provocations.

About Which Way is Up?

Which Way is Up? was created by Hannah Rennie, Shepherd Manyika and Cement Fields as part of From Other Gardens, a project supported by Freelands Foundation.

Through a series of collaborative exchanges and in-depth, discursive workshops with students at Highsted Grammar School, the project explored the idea of radical art practice within the school environment, and considered how you can make space for risk and experimentation, and in doing so question the established norms of art teaching, the curriculum and learning.

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