Drawing from the Fluxus movement of the 1960s and 70s and the instructional do it exhibitions conceived by Hans Ulrich Obrist, Christian Boltanski and Bertrand Lavier in 1993, Bremmer and Heijnen consider the ways “enabling constraints” can help in designing “wicked arts assignments”.
In doing so, they show how enabling constraints can help students kickstart their creative process, without becoming overdetermined by a prescribed end product.